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Broadway on an Island
Bangor Daily News Editorial - Aug 15, 2007

The old Neighborhood House on Little Cranberry Island, formerly the Grange Hall, is a venue for wedding receptions, basketball games and annual affairs such as the amateur show "Wits and Nitwits," the Firemen's Ball, a literary evening and the Islesford Fair.

But until last week, rarely has it seen a professional production of a major Broadway play. The island community broke new ground by putting on Tennessee Williams's "The Glass Menagerie" before capacity audiences on three successive nights.

People who had made reservations waited on the front lawn until the doors opened 15 minutes before curtain time. When they entered, instead of the bright lights and customary rows of old oak chairs and folding metal chairs, they found themselves in a dimly lit, cozy theater-in-the-round.

The play began in darkness, as the son entered in a merchant marine officer's greatcoat and began to tell the story of his crippled and painfully shy sister who took refuge from a frightening world with her collection of glass animals and the sounds of her father's old Victrola records.

The almost magical production that kept audiences entranced for two hours with the fanciful plot came about because of the conflux on the island of Sonja Moser, chairman of the Theater Department at Bowdoin College in Brunswick, a visit by a few professional actors and actresses, and all manner of cooperation by island residents. Together, they created what dramatists seek to achieve: a suspension of disbelief.

Ms. Moser and her husband, Bill McGuinness, had settled on Little Cranberry four years ago, and she commutes to Brunswick. She first recruited the actors and actresses from Bowdoin and California, including Mr. McGuinness's mother, an experienced actress, a choreographer, and several islanders for walk-on roles. Then, in March, she chose the play.

Producing it in a small isolated island community was quite different from her productions in well-equipped theaters. She made do with small stage, and the old tables and chairs in the Neighborhood House. She augmented its few stage lights with 10 clip-on lights from a local hardware store. The biggest problem was the dress for the mother, a central figure in the play. They had counted on one already on the island, but it had a big stain on the front. With only two days until opening night, they Googled "rental costumes" on the Internet and found one in Seattle. It arrived in time by express mail.

Ms. Moser says the best result was a flood of requests that she produce another play next year. Planning has already begun - for another island concinnity ("a skillful, harmonious arrangement of parts").

 

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Other Reviews Newspaper coverage being slim on the island, we are gratified to receive many emails, cards and calls after each production letting us know how we did. They come from next-door neighbors and from friends of friends of friends that live thousands of miles away, the word traveling to us third hand via forwarded email.

Hey Rach,
I saw the show last night and said hi afterwards to Mary. Didn't really have time to tell her just how amazing I thought the show was (we had to run and catch the last ferry back to Acadia) so maybe you could forward this to her. Rach, you would have loved the shit out of it and probably cried at the end because it is the kind of theatre in the kind of community that is your heaven. And really would be anyone's heaven. You probably remember loving Little Cranberry Island and the idea of living there in such a nice tight-knit community. Now imagine getting to do theatre that is not only top-notch but also connects very intimately with that community? You would empty your bowels out of sheer joy! And if that's not the greatest compliment I can give a theatrical experience, I don't know what is. Such a great show, so skillfully done, and filled with so much joy and love. At the end all the cast members who had loved ones (many of whom were locals) in the audience grabbed them out of the audience and danced with them to "Sea of Love." (That is the point at which you would have wept uncontrollably). Anyway, you know how hypercritical I can be, but I really loved this show. And so did my Dad. Thanks for telling me about it.
- Roger in Chicago

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It was the most enjoyable performance I've had the pleasure of attending in a long while - it was at once moving, heartbreaking, haunting, and more comic than anticipated. More than this, I was inspired at how the production managed to extend the collaborative network over an entire island community.
- Ty in Portland

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That play was fantastic! The whole production - scenery, costumes, lighting, music, that wonderful leaping man! - was spectacular.
- Martha in Northeast Harbor

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What a delightful performance of The Glass Menagerie. I saw it many years ago at the Shubert Theater in Boston. Your version was better! The cast was excellent and stage setting innovative and effective.
- Audrey in Bar Harbor

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We no longer have the excuse to return to Washington to see some good theater. We'll be waiting for next summer!
- Buddy on Islesford

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I schedule my trip to Maine around the Islesford Theater Project.
- Mark in Massachusetts

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We loved your Babbitt. I thought the staging was fantastic. Imagine being able to portray a long dinner party in a few lovely moments. I know you put the whole thing together in a little over a week, but I thought it seemed as if you had had months. Congratulations!
- Lucy Bell in Washington DC

 

 

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