.
Broadway
on an Island
Bangor Daily News Editorial - Aug 15, 2007
The old Neighborhood House on Little
Cranberry Island, formerly the Grange Hall, is a venue for wedding
receptions, basketball games and annual affairs such as the amateur
show "Wits and Nitwits," the Firemen's Ball, a literary
evening and the Islesford Fair.
But until last week, rarely has it
seen a professional production of a major Broadway play. The island
community broke new ground by putting on Tennessee Williams's "The
Glass Menagerie" before capacity audiences on three successive
nights.
People who had made reservations waited
on the front lawn until the doors opened 15 minutes before curtain
time. When they entered, instead of the bright lights and customary
rows of old oak chairs and folding metal chairs, they found themselves
in a dimly lit, cozy theater-in-the-round.
The play began in darkness, as the
son entered in a merchant marine officer's greatcoat and began to
tell the story of his crippled and painfully shy sister who took
refuge from a frightening world with her collection of glass animals
and the sounds of her father's old Victrola records.
The almost magical production that
kept audiences entranced for two hours with the fanciful plot came
about because of the conflux on the island of Sonja Moser, chairman
of the Theater Department at Bowdoin College in Brunswick, a visit
by a few professional actors and actresses, and all manner of cooperation
by island residents. Together, they created what dramatists seek
to achieve: a suspension of disbelief.
Ms. Moser and her husband, Bill McGuinness,
had settled on Little Cranberry four years ago, and she commutes
to Brunswick. She first recruited the actors and actresses from
Bowdoin and California, including Mr. McGuinness's mother, an experienced
actress, a choreographer, and several islanders for walk-on roles.
Then, in March, she chose the play.
Producing it in a small isolated island
community was quite different from her productions in well-equipped
theaters. She made do with small stage, and the old tables and chairs
in the Neighborhood House. She augmented its few stage lights with
10 clip-on lights from a local hardware store. The biggest problem
was the dress for the mother, a central figure in the play. They
had counted on one already on the island, but it had a big stain
on the front. With only two days until opening night, they Googled
"rental costumes" on the Internet and found one in Seattle.
It arrived in time by express mail.
Ms. Moser says the best result was
a flood of requests that she produce another play next year. Planning
has already begun - for another island concinnity ("a skillful,
harmonious arrangement of parts").
.
Other
Reviews Newspaper coverage
being slim on the island, we are gratified to receive many emails,
cards and calls after each production letting us know how we did.
They come from next-door neighbors and from friends of friends of
friends that live thousands of miles away, the word traveling to
us third hand via forwarded email.
Hey Rach,
I saw the show last night and said hi afterwards to Mary.
Didn't really have time to tell her just how amazing I thought
the show was (we had to run and catch the last ferry back
to Acadia) so maybe you could forward this to her. Rach, you
would have loved the shit out of it and probably cried at
the end because it is the kind of theatre in the kind of community
that is your heaven. And really would be anyone's heaven.
You probably remember loving Little Cranberry Island and the
idea of living there in such a nice tight-knit community.
Now imagine getting to do theatre that is not only top-notch
but also connects very intimately with that community? You
would empty your bowels out of sheer joy! And if that's not
the greatest compliment I can give a theatrical experience,
I don't know what is. Such a great show, so skillfully done,
and filled with so much joy and love. At the end all the cast
members who had loved ones (many of whom were locals) in the
audience grabbed them out of the audience and danced with
them to "Sea of Love." (That is the point at which
you would have wept uncontrollably). Anyway, you know how
hypercritical I can be, but I really loved this show. And
so did my Dad. Thanks for telling me about it.
- Roger
in Chicago
.
It was the most enjoyable performance
I've had the pleasure of attending in a long while - it was
at once moving, heartbreaking, haunting, and more comic than
anticipated. More than this, I was inspired at how the production
managed to extend the collaborative network over an entire
island community.
- Ty
in Portland
.
That play was fantastic! The
whole production - scenery, costumes, lighting, music, that
wonderful leaping man! - was spectacular.
- Martha
in Northeast Harbor
.
What a delightful performance
of The Glass Menagerie. I saw it many years ago at
the Shubert Theater in Boston. Your version was better! The
cast was excellent and stage setting innovative and effective.
- Audrey
in Bar Harbor
.
We no longer have the excuse
to return to Washington to see some good theater. We'll be
waiting for next summer!
- Buddy
on Islesford
.
I schedule my trip to Maine around
the Islesford Theater Project.
- Mark
in Massachusetts
.
We loved
your Babbitt. I thought
the staging was fantastic. Imagine being able to portray a
long dinner party in a few lovely moments. I know you put
the whole thing together in a little over a week, but I thought
it seemed as if you had had months. Congratulations!
- Lucy Bell
in Washington DC
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